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Mar 30, 2015 - Cottonwood Hill. But it's the other 2/3 of the album, entitled 'Brainticket' that justifies. Brainticket originally formed in 1968, consisting of members of Swiss, German, and Italian descent. Members came and went during their tenure. Dating from 1971 Cottonwoodhill record is like a nightmare on the background of registered narcotic monotonous,theme: police siren, various screams, spasms etc.

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Quality: 4 out of 5 Trip-O-Meter: 4 out of 5 I guess that for all intents and purposes, this is Brainticket's pop album. It's lacking the extreme freak outs that color Cottonwood Hill, and while it pushes against the envelope, it doesn't gleefully plow through as the band tends to do on other releases. What we do get here are top notch, assured performances, and by far the band's best songwriting. This is pretty awesome, 70's-style psych rock. It's not a bad introduction to the band; sometimes it's nice to become somewhat comfortable with musicians before they completely blow your mind. The first couple tracks are very liquid and chill.

I especially dig the chiming piano line and delayed percussion that grace 'One Morning.' Things pick up noticeably for the balls out ' Watchin' You.' Dawn Muir's vocals cut through the thick brew, piercing with absolute conviction. It doesn't hurt to have a nice face-melting guitar solo thrown in the middle too. 'Like a Place in the Sun' is a jazzy display of the band instrumental prowess while Muir is at her wackiest for this particular album.

'Coco Mary' is a very pounding, driving track with a cool marimba break catching the listener off guard. This is probably the most consistently listenable Brainticket release. The catch is that you're not hearing their 8 th ring of Saturn, cosmically deranged sounds, but you do get some fine songs and a band playing with almost telepathic communication. I suppose that in Can terms, this would be their Ege Bamyasi, and I don't feel that's a bad thing at all.